Abdin, Mohammad Ruhul Unlearning to learn: contextualising architectural thinking into practice. Paraa’s approach to critical design thinking & making. A case study of the Bamboo Design Build Workshop
An, Kang Hyun - Heriot-Watt University From the loom to wear: tubular shapeable textiles for seamless fashion
Astfalck, Laura Bradshaw-Heap, Rachel Darbourne. (co-written paper), Jivan - (Jivan) TheSchool of Jewellery, Birmingham City University. (Rachel) Plymouth College of Art. BEYOND JUNK : The complex art of valuehackingBack to top
Birkbeck , Eimer - Ecole Européene Supérieure d'art de Bretagne, Quimper LOCALITY as subject and setting; our past and our future
Blom, French, Briscoe, Jeroen, Tara, Gerard - Glasgow School of Art The Aesthetics of Prosthetic Greaves: Co-Design For Expressing Personal Identity
Boeva, Foster, Yana, Ellen - York University, Rensselaer Polytechnic Institute Making Sense of Place: Research Reflections from Two Multi-sited Ethnographies
Burke, Tarah - Ryerson University Who made it? Acknowledging the collaborative nature of making to increase consumer value perception.
Butoliya, Deepa - Carnegie Mellon University, USA Critical Jugaad: A (Post) Critical Investigation into Marginal Making Practices from Beyond the Anglo-European SphereBack to top
Cappellieri, Testa, Alba, Susanna - Politecnico di Milano - Design Department Digital Crafting for Fashion Accessories. From Static Products to Open Interactive Experiences
Carden, Siún - Centre for Rural Creativity, University of the Highlands and Islands Producing and consuming ‘maker cultures’: Shetland knitting as production, process and product
Cleveland, Donna - Auckland University of Technology Small is the new Big: scaling models of sustainable practice
Cocchiarella & van den Boom, Fabrizio & Judith - MMU Manchester UK & ArtEZ academie Arnhem NL Makers to Change-Makers: A pedagogic investigation into making as a transformative tool.
Corbin, Gladek, Monaghan, Tooze, Liz, Eva, Chris, James - Institute of Making, University College London // Distributed Everything Lab, Royal College of Art // Metabolic Material Democracy: An action plan for realising a redistributed materials economy
Crabtree, Tim - Weseex Community Assets & Schumacher College “Finding the Grain” – Supporting new models of affordable housing through the linking of digital pre-fabrication and craft elements.Back to top
Diamond, Kandy - Bradford School of Art Employing technology and retaining authenticity; Digital design for machine knitting in contemporary craftBack to top
England, Lauren - King's College London Crafting professionals: professional development and entrepreneurship in UK crafts higher education
Esteve, Chele - Universidad Politécnica de Valencia Return of Feeling: A five year cycle where students have created with local craftersBack to top
Fryzlewicz, Malgorzata - Plymouth College of Art Recordings, Crafts and Patterns with Sounds in Reviving the Ainu Culture (Japan)Back to top
Grain, Emma - University of Huddersfield A Design Driven Approach to 3D Printing Textiles from Recycled Polyester
Grayson, John - Birmingham City University South Staffordshire Enamel – HOW…did they make that? The value of contemporary craftsmanship in revealing (absent) 18th Century metalworking skills in literary sources.Back to top
Harris Stevens, Brooks - Eastern Michigan University Mending Gold: Mending Cultural Divides Through Craft
Harvey, Bridget - Camberwell College of Arts, University of the Arts London REPAIR YOUR PRACTICE! Get Out Of Your Tower And Into The World
Head, Ross - University of Wales Trinity Saint David Bespoke product design and manufacture for disabled children: A case study of products and their perceived effectiveness on user wellbeing.
Hector, Philip - Aalto University, Faculty of ARTS, Department of Design, Helsinki, Finland Design Support – experiencing a more sustainable well-being through material engagement and communal learning?
Hocking, Carol - MA: Contemporary Crafts, Plymouth College of Arts PATCHING the PRESENT: Finding fulfilment through sustainable making
Huckfield, Sophie - University of Birmingham Swarf Streams: Building interdisplinary practices to contemporary modes of productionBack to top
Illner, Antje - University of Hertfordshire Material makeovers of asthma inhalers: A medical application of craft practice
Ives, Jamilla - Bath Spa University/ University of Gloucestershire Thread Counts: Fashion and textiles forum for sustainable and creative futuresBack to top
Jeffrey Jehom, Welyne - Department of Anthropology and Sociology, Faculty of Arts and Social Sciences, University of Malaya Iban women weavers weaving dream designs: A journey from sacred to commercialisation
Johnston, Rachel - University of Chichester “What I need my hands need to talk about”: Mental health and making, the Graylingwell Heritage Project.
Joseph, Cleveland, Frances, Donna - Auckland University of Technology Crafting New Textile InterfacesBack to top
Kerlaff, Paul - Edinburgh Napier University Micro-Remaking as a Reciprocal Partner for Mass Production: The User-Remanufactured Surfboard
Kıyak İngin, Toker, Altay, Tarcan, Aslı, Ayşenaz, Can, Berilsu - Made in Sishane - Istanbul Bilgi University, Istanbul Bilgi University, Istanbul Bilgi University, Istanbul Bilgi University Apprenticeship in Product Design: Integrating Craft Workshops in Istanbul and its Training System To Product Design Education
Koomen, Blundel, Philip, Richard - The Open University, Milton Keynes, UK. Developing craft practice within and between workshops: an inter-generational comparative study
Koulidou, Wallace, Smith, Nantia, Jayne, Neil - Northumbria University The self between two places: Finding connections through digital jewelleryBack to top
Laird, Melissa - National Institute of Dramatic Art Australia Thinking through Practice: Enhancing ‘maker-cultures’ through material culture research and creative-arts-based pedagogy
Liggett, Dean - Ulster University Fingerprints in Fashion: The Influence of Handskill in Contemporary Technological Printed Textile Production and Embellishment.
Logge, Karl - Charles Sturt University, NSW, Australia Over, Under and Beyond: weaving weird design futures with Chiara Vigo the world’s last ‘Maestro di Bisso’
Lung , Carole Frances - Cal State Univ Los Angeles The Sewing Rebellion: Frau Fiber's practice of service and skill sharingBack to top
Marshall, Rossi, Justin, Catharine - Northumbria University, Kingston University London Reflections on the development and multiple aspirations of Shenzhen’s makers in the context of a global maker movement.
Martin, Heather - Plymouth College of Art UN-MAKE & RE-CLOTHE: Critically Making an Open-source Distribution Service Using a Circular Design and Make System
Marton, Helen - Hereford College of Art and AHRC 3D3 PhD candidate Communicating Archaeology through Digital Craft Practice: Extending the Object Life History Framework
McCallum, Jo - AHRC 3D3 Studentship in Digital Craft, FoAM Kernow and Falmouth University, Penryn, Cornwall, United Kingdom Crafting expanded practice: Exploring weave structures to make thinking
McLaughlin, Beth - Fuller Craft Museum, Brockton, Massachusetts, U.S.A. Pussyhat Production and Consumption: The Role of Needlework in Building Resilient and Empowered Communities
Melsop, Susan - Ohio State University Experiential Learning, Preparing Students to Lead Social Innovation through Craft and Design
Mulji, Huma - Plymouth College of Art Site/s of Production, Site/s of reception and the location of meaning: installing art in global contextBack to top
Oakley, Peter - Royal College of Art Protecting Productive Crafting: identifying and supporting crafting in industry in the 21st Century
Oseng-Rees, Standen, Ferris-Papi, Tyra, Ian, Juan - University Of Wales Trinity Saint David, Swansea Low temperature used recycled glass for use in non-structural product design applications with an aesthetic appeal such as furniture, wall and floor finishes.Back to top
Padovani, Whittaker, Clio, Paul - University of Southampton Faliero Sarti: reclaiming social heritage and artisan know-how for a glocal market.
Pengelly, Jon - Robert Gordon University Immateriality or How is 3D Printing and Maker Culture, altering mainstream production and creative industry norms.Back to top
Risner / Gauntlett, Isabelle Risner and David Gauntlett - University of Westminster Making Meanings in Metaphors: How makers used craft materials to explain their practice, and its place in maker culture.Back to top
Salani, Giorgio - Research student at Central Saint Martins (UAL) Salience and technological change in contemporary hand-thrown pottery
Salovaara, Mari - University of Helsinki Wellbeing for older people – intergenerational collaboration with well-maker-spaces
Shaikh-Farooqui, Amneh - Entrepreneurship and Community Development Institute (ECDI) Happy returns: embellishing a new future
Stauch, Susanne - Berlin University of Arts // Supernova Institute Empowering through Making: What are the long term effects of co-creation workshops in Nairobi slums?
Stewart, Hannah - Future Makespaces in Redistributed Manufacturing, Royal College of Art Redistributed manufacturing in 30 objects – is a distributed maker infrastructure ready to take us beyond a trickle down approach to the circular economy?
Subramaniam, Nisha - Srishti Institute of Art, Design and Technology. Bangalore, India The Influences of Modernity and Globalisation on Traditional Artisanal Practices IndiaBack to top
Thompson, Vettese, Paul, Samantha Notions of connoisseurship, originality and artistic statements with new technological developments in printmaking.
Twigger Holroyd, Amy - Nottingham Trent University Prototyping a new tomorrow: crafting leadership in fashion and sustainabilityBack to top
Vettese, Samantha - Edinburgh Napier University 3D Printed waste textiles : sustainable material innovation and a potential resurrection of the forgotten ‘shoddy’ industry
Vones, Katharina - Edinburgh Napier University Sustainability through Novel Materiality: Creating Three-Dimensional Electronics from Selvedge PLABack to top